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28th January 2010

12:10am: INTRO -- SCROLL DOWN TO CURRENT ENTRIES
This blog is mostly about fiction techiques, terms from how-to-write books, etc. (Constructive debate is welcome, but anti-geeky stuff may be moved to the basement.)

The "Great Chain of Reading" that Gergely Nagy discusses

MISC WRITING GEEKY LINKS )

19th June 2009

10:47am: mobbing indicators
Mobbing, as defined by Kenneth Westhues in his checklist of mobbing indicators (http://arts.uwaterloo.ca/~kwesthue/checklist.htm) (2006) developed to combat mobbing in academic contexts.
Read more... )

16th June 2009

10:23pm: Passing this along:

12:32 Iran Security is hunting for bloggers using location and timezone searches. If we all
become 'Iranians' it becomes much harder to find them. #

12:32 Do this by setting your location to Tehran and your timezone to +3.5 Tehran in your
Twitter Settings. Please RT these two messages

8th June 2009

3:02pm: Jane Austen without the French Revolution
Personally, I think it's a Good Thing to be capable of reading Jane Austen without thinking about the French Revolution and why she didn't write about it and what she is a product of etc etc.

Open thread....

28th May 2009

6:45pm: The Thirteenth Child flap
My comments, in random order, subject to update....

This book is a fantasy. I wonder if its denouncers have read Wrede's ENCHANTED FOREST series. They might complain that dragons are not real, that the social order of castles and princesses and heroes is not supported by actual history....

Thirteenth Child is not serious 'alternate history' either. 
 

This is not a book like Walton's FARTHING, whose basc effect is a dark mirroring of our world, 1 for 1. CHILD is a different world to be read as standing alone, without needing to mirror anything.

Stereotypes. Firefly/Serenity used plot and character stereotypes. It wasn't realistic either: a space ship with skillets dangling on the kitchen wall? It was ABOUT stereotypes. So is CHILD, to some extent (as was ENCHANTED FOREST).

Walton described CHILD (qfm -- I'm quoting from memory) as LITTLE HOUSE ON THE PRAIRIE with mammoths and magic. Elsewhere Walton described her own TOOTH AND CLAW as (qfm) FRAMLEY PARSONAGE with dragons. Maybe they would fault that for unrealism too.

Thirteenth Child is fiction, fantasy fiction, in a fantasy world.


Here is what's posted at Patricia's website:

"Eff Rothmer is the twin sister of a seventh son 
of a seventh son, growing up on the edge of 
the "safe" settled area of the U.S. in the 
1850s (though history has not gone quite the 
way it did in our world-the Civil War, for 
instance, happened in 1832, and Lewis and 
Clark never came back...)

This is the first book of a fantasy trilogy about 
settling the West in a world where magic 
works and the New World was not settled until 
modern magic (of Columbus' day) made it 
possible to fend off the dangerous wildlife 
(which includes both imaginary beasts like 
steam dragons and spectral bears, and real-life 
post-ice-age creatures like wooly mammoths)."

Wrede said of the world of THIRTEENTH CHILD:

 "The prehistoric people who, in our world, emigrated across the land bridge and through the Arctic Circle didn’t even try to get past the ice dragons; their descendants are all still back on the eastern Pacific rim, and the history of Asia is far less recognizable than that of the Mediterranian area. Unfortunately, my narrator is not particularly interested in global history or politics, so most of that is only present in the text by implication." 
 

 (One detractor said that in that case Wrede should have set the book in Asia and made it about the Asians instead!)

16th November 2007

5:10am: Is anyone else as good as Elizabeth Goudge?
Especially her children's books, THE LITTLE WHITE HORSE and LINNETS AND VALERIANS?

Well, probably no one could be as good in all the same ways. But in language, reading level, choice of words, how much detail per how much action....

19th October 2007

3:40am: Now if I just got extra points for...
... copying and pasting instead of giving them my LJ password....

Which sci-fi crew would you best fit in with? (pics)
You scored as a Millennium Falcon (Star Wars)

That's probably the one I'd choose. But I'm not as confident as they think (or maybe it's relative, I just have even less confidence in any Establishment knowing any better, either).

Read more... )

7th October 2007

9:06pm: Opening sentences and theme
Shallana just posted about opening sentences and whether they need to predict the theme of the book, and asked for samples, and I posted:

Sample, not mine:

It was a slow Sunday afternoon, the kind [Walden] loved. He stood at an open window and looked across the park. The broad, level lawn was dotted with mature trees: a Scotch pine, a pair of mighty oaks [....]

That goes on with more such description and scene setting with seven WAS/WERE's and innumberable 'hads'.

This is from Ken Follett's THE MAN FROM ST. PETERSBURG, copyright 1982. Follett's book was used as an example in a how-to by his agent in 1994: "Writing the Blockbuster Novel [....] Read more... )

18th September 2007

8:02am: Ransome's WE DIDN'T MEAN TO GO TO SEA
I love most of Ransome's Swallows & Amazons series, but I'd recommend skipping chapters IX through XII of this one. Overall the book is scarcely worth reading, except that curiously it has the same motif as the movie THE LION, THE WITCH, AND THE WARDROBE: kids on an involuntary adventure obsessing about a promise to their mother. In this case the promise was not to go sailing outside the harbor -- even when they've been carried into dangerous territory and the only safe thing is to sail on. As for chapters IX-XII, they read like bad fan-fic trashing the characters, especially Susan.

9th September 2007

5:47pm: semi-conflict in Merry Go Round in Oz vs The Magic City
Merry Go Round in Oz gets better around the middle, when Dorothy and the Cowardly Lion show up and two parties join. There it gets less Plumly and more Baumish. The plot seems well-constructed so far.

What interests me is a difference in McGraw's presentation -- vs Nesbit's The Magic City and Tanith Lee's book about the flying island. At this point some people might start talking about 'conflict', though to me that doesn't seem the right word.
Read more... )

28th August 2007

9:34am: Zornhau And Cqabn in Oz
Well, not really, not quite. But this passage in OZMA OF OZ sort of reminded me of Zornhau's synopsis/outline method.
Read more... )

22nd August 2007

7:01am: 20 strikes before a story is out....
Jay Lake and Paul Jessup are talking at http://jaylake.livejournal.com/1179595.html?view=7365067 about how many times to submit a story before giving up on it, at least 20, maybe more....

21st August 2007

5:19pm: Jane Austen Hoax cover letter -- nice period style
The cover letter for the Jane Austen hoax is up, delightfully written in the style of a young Jane of former times, with impeccable punctuation slightly too complicated for our dumbed-down era. A little historically eclectic, Anne Shirley might have called it quaint.

Unfortunately it seems to be pdf, but worth the download.

http://www.janeausten.co.uk/regencyworld/pdf/rejecting28.pdf

The hoaxer was giving them a big hint that this is a designed hoax, by someone literate and skillful: thus quite likely to make its way to the Press.... Plus having the return address of the actual Jane Austen center in Bath, if anyone had had a breath of suspicion, and the wit to check....

Too bad he posted it in pdf instead of html; too many people will rely on second-hand descriptions instead of reading it for themselves, and talk as thought he didn't intend to break most of the rules in "How to Write Cover Letters."

(Edited Tuesday night)

12th August 2007

3:04pm: LWW -- movie:book::tight-third:omni
LWW -- movie:book::tight-third:omni

Re Rilstone's review of the movie LION, WITCH, AND WARDROBE at
http://andrewrilstone.blogspot.com/2006/01/lion-witch-and-wardrobe_08.html
Read more... )

6th August 2007

8:21pm: Synonyms for 'said' in Oz
Okay, quick and dirty, from the first Oz book I could download in plain text: THE MARVELOUS LAND OF OZ

ETA: I cut the Pumpkinhead stuff, and explained why at the bottom of the post, and added links to Baum's original chapter and book.

Read more... )

5th August 2007

5:29am: JRK, Baum, Tarzan, adverbs -- Shallana?
http://72.14.253.104/search?q=cache:uvmHS-AE2VEJ:blogs.guardian.co.uk/books/2007/07/harry_potters_big_con_is_the_p.html+Rowling+adverb&hl=en&ct=clnk&cd=3&gl=us&client=opera
Here, from page 324 of The Order of the Phoenix, to give you a typical example, are six consecutive descriptions of the way people speak. "...said Snape maliciously," "... said Harry furiously", " ... he said glumly", "... said Hermione severely", "... said Ron indignantly", " ... said Hermione loftily". Do I need to explain why that is such second-rate writing?

Well, yes, you do. And define a few terms. It's an unfashionable style, but I wonder whether her books are succeeding in spite of it, or (partly) because of it. (Otoh, see below....)

A while back someone (Shallana?) said a very sensible thing about the style of 100 years ago,
Read more... )
3:27am: JKR: "nothing for [the reader] to do"
From http://72.14.253.104/search?q=cache:BV4UhI-CquMJ:www.jacketflap.com/megablog/index.asp%3Fblogid%3D715+Rowling+Baum+adverbs&hl=en&ct=clnk&cd=14&gl=us&client=opera
[Roger Sutton:]
"And after two- or three-and-a-half (can’t remember just where I gave up) Harry Potters, I realized I was simply Not There. Rowling writes (or wrote, anyway, in those three books) in a way that made me feel pushed out. Not unwelcome, but unnecessary. Every scene, character, action, motive, and joke was described and explained, frequently more than once. There was nothing for me to do."

[Someone else:]
my own experience with them has been quite the opposite from Roger’s. That is, far from feeling pushed out, I feel I’m very much in them — mucking about as I pick up this clue and consider it, wonder about that person, about the prophesy, about Voldemort, about how Rowling will end it, and so on. [....] I’ve long railed about those darn adverbs (and I think ever since people started pointing them out Rowling has put even more in to get back at them/us:)


One explanation for the different reactions might be, that Sutton wants something to "do" in the interpreting of each sentence or passage, to consciously add some creative energy of his own to the words. Maybe he wants to consciously "half perceive and half create." -- But the other commentator prefers the sentences and passages to be self-explanatory, or explained by the characters, so the reader's attention is free to deal directly with the clues, the prophecy, etc.

4th August 2007

3:33am: paragraph shape and white space as 'map of intent'
In Stephen King's /On Writing/, there's a little tech stuff, mostly
obvious but sound -- and one bit I really like.

Around p. 132 he has some very good stuff to say about paragraph breaks,
characters' gestures as rhythm pauses, etc. On pp. 129-130 he begins by
talking about the "blocks of white space where paragraphs begin or leave
off. .... Paragraphs are almost as important for how they look as for what
they say; they are maps of intent." He takes this up again with a very good
example on pp. 132-134. He quotes a gesture paragraph which serves to break
a long quote and show a change of subject.

All this is from an old post I made in answer to someone's question about iirc inserting gestures into conversation to show emotion.

Read more... )

21st July 2007

9:58pm: Live-blogging HP7
Elsehwere some people are talking about live-blogging HP7.

WEll, mine will be sporadic, as I need to go to town with someone soon. So far I like the first few pages. :-)

Read more... )
7:12pm: Vague but suggestive HP spoiler behind the cut
I haven't read all of 1-6 yet, so it will be a while before I get to HP7. But I'm like C. S. Lewis said in EXPERIMENT IN CRITICISM, I want the suspense out of the way so I can enjoy the book. So I read Wikipedia's spoiler page, which was plenty long and exciting.

Read more... )
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